
Tokyo plays jazz, collects it, studies it, and listens to it like nowhere else.















Tokyo has one of the deepest jazz cultures in the world, built by listeners as much as by players. Musicians fill its stages, collectors fill its shelves, and across the city people still sit down to hear a record from the first track to the last.
Tokyo in 33 RPM moves between the stage and the record: the musicians who play it live today, the historians and collectors who trace how jazz took root in Japan, and the listeners who give it their full attention. There is no narrator. The film is carried by their voices and by the music.
Underneath it all runs one question: who carries this next?
The city never slows down.
A room waits for a record.
Then the
needle drops.




The music leads this film. Every scene is shaped by rhythm, memory and silence, and the camera’s job is to listen before it speaks.
I wanted to make something built from observation rather than intervention: to let a solo or a record play out, to stay with a face while it listens, and to trust the people who live this music to tell their own story.
Tanmay Srivastava, director
Tokyo in 33 RPM
東京三三回転で
Synergy Pictures UK presents in association with Double Drama Productions Lucky 18 latakoo
aTanmay Srivastavafilm“Tokyo in 33 RPM”
executive producers Lucas Minoru Poulshock Paul Adrian Jade Kurian
produced by Sky Cheema Tanmay Srivastava Jackson McKeever
directed by Tanmay Srivastava
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